Disc: 1 |
1 |
Introduction: Opening, upward-pointing figure |
00:01:33 |
Siepmann, Jeremy
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2 |
Answering, downward figure completes the phrase |
00:00:22 |
Siepmann, Jeremy
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3 |
Beginning of dialogue |
00:00:25 |
Siepmann, Jeremy
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4 |
The nature of musical conversation; repetition; ' |
00:01:26 |
Siepmann, Jeremy
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5 |
Upward pointing to one ' target ' note |
00:00:40 |
Siepmann, Jeremy
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6 |
' Answer ' points to two, downward notes |
00:00:11 |
Siepmann, Jeremy
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7 |
Same idea repeated 3 times |
00:00:19 |
Siepmann, Jeremy
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8 |
The first Solo section: birdsong from three solois |
00:01:53 |
Siepmann, Jeremy
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9 |
Repeat of ' two-pronged ' theme in orchestra |
00:00:22 |
Siepmann, Jeremy
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10 |
Orchestra depicts murmuring stream, but still ther |
00:00:51 |
Siepmann, Jeremy
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11 |
Further illustrative ' water studies ' |
00:00:32 |
Siepmann, Jeremy
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12 |
Orchestra erupts into thunderstorm |
00:00:27 |
Siepmann, Jeremy
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13 |
Orchestral thunder, virtuosic ' lightning ' from s |
00:00:54 |
Siepmann, Jeremy
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14 |
Soloistic ' birds ' return to the air |
00:00:41 |
Siepmann, Jeremy
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15 |
Variant of opening theme, with ' argument ' betwee |
00:00:25 |
Siepmann, Jeremy
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16 |
Cue to First Movement |
00:00:20 |
Siepmann, Jeremy
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17 |
First Movement (Complete) |
00:03:29 |
Siepmann, Jeremy
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18 |
Scene setting and Main Theme of Second Movement |
00:01:56 |
Siepmann, Jeremy
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19 |
Analytical comment and Main Theme again |
00:00:57 |
Siepmann, Jeremy
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20 |
Main Theme varied |
00:00:41 |
Siepmann, Jeremy
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21 |
Further variation, tracing slow, descending scale- |
00:00:43 |
Siepmann, Jeremy
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22 |
Analytical discussion of ' pace ' and ' tempo ' ; |
00:02:51 |
Siepmann, Jeremy
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23 |
Vivaldi springs a surprise, reversing direction an |
00:00:44 |
Siepmann, Jeremy
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24 |
Analytical cue to Second Movement |
00:00:44 |
Siepmann, Jeremy
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25 |
Second Movement (Complete) |
00:02:35 |
Siepmann, Jeremy
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26 |
Undercover ' bagpipes ' initiate the finale |
00:01:05 |
Siepmann, Jeremy
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27 |
Second part of Main Theme: new notes, same rhythm |
00:00:18 |
Siepmann, Jeremy
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28 |
An ' echo ' with a difference |
00:00:23 |
Siepmann, Jeremy
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29 |
Reminder of ' echoed ' phrase in its original form |
00:00:12 |
Siepmann, Jeremy
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30 |
Surprise variant provides springboard into new des |
00:00:19 |
Siepmann, Jeremy
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31 |
Unexpected, ' flowing ' entrance of soloist |
00:00:36 |
Siepmann, Jeremy
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32 |
The use of ' sequence ' in first extended solo |
00:01:21 |
Siepmann, Jeremy
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33 |
Vivaldi prepares expectation... |
00:00:19 |
Siepmann, Jeremy
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34 |
... and frustrates it by bringing in a new theme, |
00:01:07 |
Siepmann, Jeremy
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35 |
Violins accompanied by flowing ' commentary ' in l |
00:00:34 |
Siepmann, Jeremy
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36 |
Soloist returns with new variant |
00:00:36 |
Siepmann, Jeremy
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37 |
Pace slows as violins trace another four-note scal |
00:00:24 |
Siepmann, Jeremy
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38 |
The peasants return with the main theme, which tur |
00:00:47 |
Siepmann, Jeremy
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39 |
Intensification as harmonies change under broad, d |
00:00:37 |
Siepmann, Jeremy
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40 |
Mini-earthquake transformed into harmonic landslid |
00:00:46 |
Siepmann, Jeremy
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41 |
Critical mood-change in soloist's lonely soliloquy |
00:00:42 |
Siepmann, Jeremy
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42 |
Cue to restoration of main theme in its entirety a |
00:00:22 |
Siepmann, Jeremy
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43 |
Third Movement (complete) |
00:04:15 |
Siepmann, Jeremy
|
44 |
Scene setting and opening of First Movement |
00:00:34 |
Siepmann, Jeremy
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45 |
Expanded groups of answering phrase |
00:00:24 |
Siepmann, Jeremy
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46 |
Upper and lower strings alternately succumb to let |
00:00:49 |
Siepmann, Jeremy
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47 |
As in ' Spring ', soloist enters with birdsong |
00:00:34 |
Siepmann, Jeremy
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48 |
Orchestra hijacks soloist's material |
00:00:40 |
Siepmann, Jeremy
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49 |
Soloist returns,first as turtle-dove, then as gold |
00:00:50 |
Siepmann, Jeremy
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50 |
Gentle breezes give away to North Wing |
00:01:03 |
Siepmann, Jeremy
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51 |
The storm subsides; soloist enters as weeping peas |
00:01:00 |
Siepmann, Jeremy
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52 |
Movement ends as storm returns |
00:00:17 |
Siepmann, Jeremy
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53 |
First Movement (complete) |
00:05:20 |
Siepmann, Jeremy
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54 |
Second movement opens with extremecontrasts |
00:01:34 |
Siepmann, Jeremy
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55 |
Second Movement (complete) |
00:02:28 |
Siepmann, Jeremy
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56 |
Stormy Weather; thunder |
00:00:37 |
Siepmann, Jeremy
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57 |
Lightning from upper strings |
00:00:22 |
Siepmann, Jeremy
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58 |
More lightning: ' heat ' lightning from violins, ' |
00:00:24 |
Siepmann, Jeremy
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59 |
Torrential rain, depicted by entire orchestra |
00:00:46 |
Siepmann, Jeremy
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60 |
Deferred entry of solo violin, in virtuoso vein |
00:00:54 |
Siepmann, Jeremy
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61 |
Peasant's failing resolve as violin spirals down |
00:00:21 |
Siepmann, Jeremy
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62 |
Nature triumphant; soloist draws on orchestra's 'r |
00:01:35 |
Siepmann, Jeremy
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63 |
The peasant's capitulation |
00:00:23 |
Siepmann, Jeremy
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64 |
Third Movement (complete) |
00:03:03 |
Siepmann, Jeremy
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Disc: 2 |
1 |
Repetitiousness and folk music; the movement's ope |
00:01:17 |
Siepmann, Jeremy
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2 |
Secondary theme, a closely related development of |
00:00:28 |
Siepmann, Jeremy
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3 |
Solo entry restates the opening theme, ' double-st |
00:01:05 |
Siepmann, Jeremy
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4 |
Unexpectedly, a new theme where a repeat might be |
00:00:36 |
Siepmann, Jeremy
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5 |
The soloist as ' drunkard ' |
00:00:45 |
Siepmann, Jeremy
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6 |
Further violinistic slips and slides |
00:00:15 |
Siepmann, Jeremy
|
7 |
Orchestra re-enters with main theme, but is interr |
00:00:18 |
Siepmann, Jeremy
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8 |
Other drunks join in ' dialogue ' with the orchest |
00:01:01 |
Siepmann, Jeremy
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9 |
The orchestral peasants continue their dancing, bu |
00:00:57 |
Siepmann, Jeremy
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10 |
Enter another drunk, courtesy of the virtuoso solo |
00:00:40 |
Siepmann, Jeremy
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11 |
The dance breaks up |
00:00:38 |
Siepmann, Jeremy
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12 |
The drunkard interrupts again, then falls asleep, |
00:00:56 |
Siepmann, Jeremy
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13 |
Conversation amongst the sober peasants leads to t |
00:00:24 |
Siepmann, Jeremy
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14 |
First Movement (complete) |
00:04:46 |
Siepmann, Jeremy
|
15 |
Scene-setting for Second Movement |
00:01:08 |
Siepmann, Jeremy
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16 |
Second Movement (complete) |
00:02:45 |
Siepmann, Jeremy
|
17 |
Similarities between the Third Movement and the Fi |
00:01:06 |
Siepmann, Jeremy
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18 |
Expectation and surprise: Vivaldi tacks on one bar |
00:00:27 |
Siepmann, Jeremy
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19 |
A case of predictable unpredictablity: novelty and |
00:00:36 |
Siepmann, Jeremy
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20 |
Soloist's double-stopping depicts hunting horns |
00:00:34 |
Siepmann, Jeremy
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21 |
Orchestra yields to unexpected display of virtuosi |
00:00:38 |
Siepmann, Jeremy
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22 |
Soloist suddenly takes the part of the fleeing bea |
00:00:25 |
Siepmann, Jeremy
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23 |
Symmetrical paralels with First Movement: ' beast |
00:00:47 |
Siepmann, Jeremy
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24 |
Death of the quarry, end of the movement |
00:00:17 |
Siepmann, Jeremy
|
25 |
Third Movement (complete) |
00:03:13 |
Siepmann, Jeremy
|
26 |
Orchestral strings enter, part by part; soloist de |
00:01:24 |
Siepmann, Jeremy
|
27 |
Wind subsides and returns, tormenting the trudgers |
00:00:53 |
Siepmann, Jeremy
|
28 |
Soloist depicts snow flurries |
00:00:27 |
Siepmann, Jeremy
|
29 |
Soloist's flurries interrupted by six blasts of or |
00:00:32 |
Siepmann, Jeremy
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30 |
Teeth chattering, and with stamping feet, the trav |
00:01:54 |
Siepmann, Jeremy
|
31 |
Cue to First Movement as a whole |
00:00:11 |
Siepmann, Jeremy
|
32 |
First Movement (complete) |
00:03:24 |
Siepmann, Jeremy
|
33 |
Soloist's ' aria ' accompanied by pizzicato ' rain |
00:00:37 |
Siepmann, Jeremy
|
34 |
A sequence of simple scales, accompanied by openin |
00:00:33 |
Siepmann, Jeremy
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35 |
Two scalewise ideas for the price of one: foregrou |
00:00:52 |
Siepmann, Jeremy
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36 |
New, rising scale-pattern unfurled with ever-great |
00:00:36 |
Siepmann, Jeremy
|
37 |
The pace increases eight-fold in concluding downwa |
00:00:36 |
Siepmann, Jeremy
|
38 |
Against an unvarying tempo, the pace is repeatedly |
00:01:03 |
Siepmann, Jeremy
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39 |
Foreground / Background |
00:00:34 |
Siepmann, Jeremy
|
40 |
Detailed discussion of foreground / background per |
00:02:14 |
Siepmann, Jeremy
|
41 |
Second Movement (complete) |
00:02:19 |
Siepmann, Jeremy
|
42 |
Scene-setting; soloist begins for the first time |
00:00:47 |
Siepmann, Jeremy
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43 |
Soloist rises progressively, in sequence, decorati |
00:00:26 |
Siepmann, Jeremy
|
44 |
First orchestral section; ace is halved; the under |
00:00:47 |
Siepmann, Jeremy
|
45 |
The walkers lose their balance and stylishly fall |
00:00:22 |
Siepmann, Jeremy
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46 |
Soloist returns as the original solitary walker an |
00:00:23 |
Siepmann, Jeremy
|
47 |
One tempo, two rates of speed: fast for the solois |
00:01:51 |
Siepmann, Jeremy
|
48 |
Orchestra evokes the warm winds of the Sirocco |
00:00:36 |
Siepmann, Jeremy
|
49 |
Answering blast from the Borea, the could wind of |
00:01:07 |
Siepmann, Jeremy
|
50 |
Cue to final movement |
00:00:23 |
Siepmann, Jeremy
|
51 |
Third Movement (complete) |
00:03:08 |
Siepmann, Jeremy
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