LOST TAPES: GERMANY 1956-1958
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At the time of these recordings, John Lewis was still in the process of developing the unique concept of MJQ as a jazz chamber group, for which he often scored even the bass and drum parts. Every track of this pioneering early phase exemplifies how Lewis, to quote Andre Francis, turned four musicians into “a sensitive instrument which vibrates in the same universe of sound, achieving a communion unique in the world of jazz.”
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