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Piano Recital: Lessing, Kolja - GROSZ, W. / GOLDSCHMIDT, B. / TICHARICH, Z. / JAKUBENAS, V. / FIEBIG, K. / ECKLEBE, A.


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In the three-part series “Franz Schreker’s master classes in Vienna and Berlin,” pianist, violinist, and tireless treasure hunter Kolja Lessing takes an in-depth look at the outstanding and multifaceted talents who emanated from the talent factory of Franz Schreker – the German-speaking world’s most important composition teacher of the 1910s and ’20s, alongside Busoni and Schoenberg. In 1912, the year of the spectacular world premiere of his opera Der Ferne Klang in Frankfurt, Schreker became the successor to his mentor Robert Fuchs at the Vienna Academy of Music. He soon gained recognition as an authority on progressive pedagogy. His circle of students in Vienna included such figures as Ernst Krenek, Alois Hába, Artur Rodzinski, Joseph Rosenstock, Felix Petyrek, Karol Rathaus, Wilhelm Grosz, and Max Brand. In 1920, at the pinnacle of his fame, Schreker was appointed director of the Berlin Musikhochschule. Along with him went Krenek and Hába, followed by the likes of Wunderkind Ignace Strasfogel, Berthold Goldschmidt, Jerzy Fitelberg, and many others, as well as – rather exceptional for the time – the female students Grete von Zieritz and Zdenka Ticharich.
Wilhelm Grosz, one of the earliest and most gifted students from Schreker’s time in Vienna, and Berthold Goldschmidt, Schreker’s student in Berlin, represent the large group of Schreker’s pupils of Jewish origins who were proscribed as “degenerate” during the Third Reich. Both emigrated to England. Zdenka Ticharich and Vladas Jakubenas, on the other hand, represent the typical fate of Eastern European composers whose careers were overshadowed by the establishment of totalitarian systems in their homelands. Ecklebe and Fiebig remained in Germany during the Nazi dictatorship but without allowing their oeuvres to be used to serve the criminal regime. Avoiding a self-sufficing “art for art’s sake” attitude, they stand for an aesthetic movement that primarily arose from Hindemith’s milieu around 1930 (after the most disparate new forms of musical expression had been explored in the “Golden Twenties”).
Facts
Item number EDA 24
Barcode 4012476000244
Release date 4/21/2006
Category Classical Music
Label EDA Records
Media type COMPACT DISC
Number of units 1
Performers
Classical Artist Lessing, Kolja
Disc: 1
Symphonische Variationen uber ein eigenes Thema, O00:30:21
1 Thema - Variation 6 00:07:23 Lessing, Kolja
2 Variation 7 - Variation 11 00:11:31 Lessing, Kolja
3 Variation 12 - Variation 13 - Variation 12a 00:03:04 Lessing, Kolja
4 Variation 14 - Variation 15 (Finale) 00:08:23 Lessing, Kolja
Piano Capriccio, Op. 1100:03:37
5 Piano Capriccio, Op. 11 00:03:37 Lessing, Kolja
Piano Suite00:11:53
6 I. Prelude 00:03:05 Lessing, Kolja
7 II. Scherzo-Valse 00:01:50 Lessing, Kolja
8 III. Notturno 00:03:46 Lessing, Kolja
9 IV. Finale 00:03:12 Lessing, Kolja
2 Tonbilder fur Klavier, Op. 200:07:46
10 No. 1. Aus dem Marchenlande 00:04:19 Lessing, Kolja
11 No. 2. Legende 00:03:27 Lessing, Kolja
Rhapsodie fur Klavier, Op. 100:06:00
12 Rhapsodie fur Klavier, Op. 1 00:06:00 Lessing, Kolja
Prelude and Fugue00:04:45
13 Prelude 00:02:32 Lessing, Kolja
14 Fugue 00:02:13 Lessing, Kolja
Metamorphosen eines Themas von Franz Schreker00:10:12
15 Metamorphosen eines Themas von Franz Schreker 00:10:12 Lessing, Kolja
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